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Top 10 Photo Books

- June 07, 2017

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Mike Brodie (born in 1985), also known as the "Polaroid Kid" or "Polaroid Kidd", is an American photographer from Arizona


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Life and work

In 2003, aged 18, Brodie left home in Pensacola, Florida, to go freighthopping across the USA. A friend gave him a camera and he subsequently spent six years photographing people he encountered, largely train-hoppers, vagabonds, squatters and hobos. Brodie has produced two bodies of work from this (latter) period: Tones of Dirt and Bone and A Period of Juvenile Prosperity, which have been exhibited in galleries and become books. Although A Period of Juvenile Prosperity was published and exhibited first, the images in Tones of Dirt and Bone were produced earlier, when Brodie used Polaroid film, before he switched to the 35mm format of A Period of Juvenile Prosperity. "The 35mm format let me shoot more candidly and truly capture real moments, not staged portraits."

A Period of Juvenile Prosperity was included in lists of best photobooks of 2013 by critic Sean O'Hagan in The Guardian, Clinton Cargill in The New York Times, Dazed, Mother Jones and American Photo magazine.

Kenneth Baker, writing in the San Francisco Chronicle, listed the A Period of Juvenile Prosperity exhibition at Stephen Wirtz Gallery in his top 10 list for 2013. Vince Aletti in Artforum named Brodie's show in New York as the show of the year, and has said of Brodie's work: "Even if you're not intrigued by Brodie's ragtag bohemian cohort--a band of outsiders with an unerring sense of post-punk style--the intimate size and warm, slightly faded color of his prints are seductive. His portraits . . . have a tender incisiveness that is rare at any age." Martin Parr and Gerry Badger call the photographs of A Period of Juvenile Prosperity "unashamedly romantic and warm toned".

Photographer Alec Soth, writing in The Telegraph, included A Period of Juvenile Prosperity in his top ten photobooks of 2013:

I really wanted to dislike this book, but I was completely won over by the pictures, design and even Brodie's essay. "I don't want to be famous," he writes, "but I hope this book is remembered for ever." I have a feeling it will be.

Writing in his own blog, Soth also said "Everything about this book is perfect: the size, printing, sequence, cover image, title and essay." Parr and Badger include the book in the third volume of their photobook history, saying that "what makes this book stand out is the quality of the photographs".

Brodie has also collaborated with Swoon, Chris Stain, and Monica Canilao.

After A Period of Juvenile Prosperity was released, Brodie said he was giving up photography. In 2015, he confirmed this, in an interview with GUP magazine: "I do not take photographs, I have begun a new adventure. I started building my very own machine shop to accommodate the manufacturing of diesel engines." As of 2017 Brodie is working as a diesel mechanic for the Union Pacific Railroad.


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Publications

  • Tones of Dirt and Bone.
    • Subscription Series #1. Oakland, CA: TBW, 2006. Edition of 500. Brodie, Paul Schiek, Ari Marcopolous and Jim Goldberg each had one book in a set of four.
    • Santa Fe, NM: Twin Palms, 2015. ISBN 978-1936611102.
  • A Period of Juvenile Prosperity. Santa Fe, NM: Twin Palms, 2013. ISBN 978-1-936611-02-7. Available in a first edition, a second edition of 3000 copies), and a third edition.

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Exhibitions

Solo exhibitions

  • 2006: Tones of Dirt and Bone, M+B Gallery, Los Angeles, CA
  • 2006: Paris International Photo Fair, Carrousel du Louvre, Paris
  • 2007: Homesteadaz, Get This! Gallery, Atlanta, GA
  • 2007: Ridin' Dirty Face, Needles and Pens, San Francisco, CA
  • 2007: Tones of Dirt and Bone, Bonni Benrubi Gallery, New York, NY
  • 2013: **A Period of Juvenile Prosperity. Yossi Milo Gallery, New York, NY
  • 2013: A Period of Juvenile Prosperity. M+B Gallery, Los Angeles, CA
  • 2013: Stephen Wirtz Gallery, San Francisco, CA
  • 2013: Get This! Gallery, Atlanta, GA

Exhibitions with others

  • 2007: Galerie LJ, Paris, with Swoon and Chris Stain
  • 2007: Paper Boat Gallery, Milwaukee. Collaboration with Monica Canilao

Source of the article : Wikipedia



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